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In this volume we begin a broader look at the extraordinary fabric of the British classical music industry through the projects of a collection of legendary performers exploring established classical repertoire and formats across the UK. Featuring uncut performances from Hyperion's recording venue at Wyastone, a flawless audition tape from the Menuhin Hall, a quartet session for Chandos, the unrivalled excellence of Angela Hewitt in London, a private performance before a BBC live broadcast and the return to the concert stage by industry icon Richard Goode at London's Royal Festival Hall.
