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FOTW006
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What makes a musician's sound, the instrument or themselves? In this volume we look at a group of musicians searching for their ideal sonic experience. Two great masters - Hamelin & Demidenko - showcase their dedication to the Steinway and Fazioli brands respectively. Chopin finalist Alexander Gadijiev is seduced away from his competition selected Kawai to the effortless elegance of the Fazioli. A spontaneous performance of Lizst's Dante Sonata - originally only possible on a Bechstein - is executed by Emmanuel Despax on Fazioli. And the loving repair of a previously decrepit Steinway overseen by Marco Fatichenti marks the beginning of a mission to find the perfect sound for his reimagining of Granados.

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Recorded
Run-time
  • 1 Piano Concerto No 2 in C minor, Op. 50 - Cadenza
    (Marc Andre Hamelin)
    04:28
  • 2 Fairy Tale op.26 No.3
    (Nikolai Demidenko)
    03:02
  • 3 Keyboard Sonata in F-sharp Major K319
    (Nikolai Demidenko)
    02:55
  • 4 Waltz No.1 in D-flat Major, Op. 64
    (Nikolai Demidenko)
    01:45
  • 5 Prelude op. 16 no. 2
    (Alexander Gadjiev)
    01:12
  • 6 Etude op. 8 no. 8
    (Alexander Gadjiev)
    03:25
  • 7 Après une lecture du Dante: Fantasia quasi Sonata
    (Emmanuel Despax)
    20:18
  • 8 Goyescas: Quejas o la Maja y el Ruiseñor
    (Marco Fatichenti)
    05:57
  • 9 Préludes, Book 1, L.117, III. Le vent dans la plaine
    (Marco Fatichenti)
    02:05
  • 10 Masques, L. 105
    (Marco Fatichenti)
    05:30
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